OFICINA NACIONAL DE ASUNTOS TEMPORALES

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El próximo día 18 de junio se presenta el nuevo número de Papermind. Yo participo con una cosita. ¿Por qué no te pasas?, será divertido.

So, you're in love with one of your friends, but she has a boyfriend and probably wouldn't have sex with you anyway.

What you will need: 1 x knife, 1 x ring, access to a sunbed, the ability to grow a beard.

Easy Solutions #1

Chris Ware en Angoulême 2009

Si, como yo, no pudiste acudir al Festival International de la bande dessinée d'Angoulême y (entre otras cosas) te perdiste la conferencia de Chris Ware, ahora puedes verla gracias a un amable usuario de youtube: primera y segunda parte.

Tie-pography

Display typeface constructed from a personal tie collection. A large amount of the collection was acquired from my dad, the rest bought at flea markets, thrift stores with a few brand new purchases sprinkled throughout. I hope to soon extend this project to add alternates, numbers and ligatures as the collection grows.

TETRO

Official trailer

Here are some new definitions

• musicish: a demo
• musicad: music that is written for advertising
• musicomm: music that is essentially just a commercial venture. eg x factor, american idol.
• musicough: music performed in concert halls
• musiclient: music written for dry functional events. eg british aerospace promotional videos.
• amusic: pop music
• musicall: unchallenging music that just wants to be loved by millions. eg andrew lloyd webber.
• musicamen: music with a religious function
• musicate: music that seeks only to replicate a genre.
• musicart: music that tries not to be music.
• musick: music used as a tool for oppression
• musicash: music performed live while an audience doesn't listen
• musicable: music played by musicians for the principle enjoyment of other musicians.
• musicahh: music designed to calm the listener.
• musicaling: music for the under 10's.
• musicle: repitetive music serving a public function. eg big ben.

Monty debe abandonar su piso y para cerrar esta importante etapa, invita a un grupo de personas -cercanas a ella y que desarrollan un trabajo creativo-, a intervenir cada una de las habitaciones.

su casa es mi casa se inaugurará y permanecerá abierta solo sábado 23 de mayo de 2009 de 17h a 23 h en C\Junta de Comerç 15, 2º-2ª, Barcelona.

What if you could learn from mistakes... but undo the consequences?

Braid for the Mac is now available

368. Just raise your glass. There's no need to clink with everyone at the table.

EHQCD ♥ Jekyll

Mario Orlando Hamlet Hardy Brenno Benedetti Farugia... se han ido todos de golpe.

SPECIAL ADVISORY TO FRIENDS, COLLEAGUES, COMPETITORS, CONFIDANTS AND PRIOR SEXUAL PARTNERS of MR. WARE:

Every effort has been made to cleanse all pages of any incrimination or diatribe towards, against or around your person, though admittedly this book was assembled largely at night in the hot attic of the author's 'atelier', and, as such, may accidentally proffer some mild error of judgment or prudence; please be assured that such cases are in no way intentional, even if they make Mr. Ware appear especially good by contrast and/or wholly rewrite the course of events as they actually transpired (now rendered, of course, obsolete.) We appreciate your understanding.

Salinger’s Design Clause

In the 1950s Salinger had a clause put in his publisher’s contracts that insisted only the text of the title of the book and his name were to appear on any future editions of his work, and absolutely no images. This hard line was particularly prompted by an early fatal experience with a publisher who covered a collection of short stories, then titled for Esmé – with Love and Squalour (after one of them) with a dramatic illustrated portrait of a seductive blonde. Salinger’s outrage is understandable: his Esmé is a precocious young girl of seven, and the story depicts a chance encounter and redemptive conversation with a solider on the verge of a nervous breakdown. Nevertheless, it’s instructive to see how various publishers and nationalities have dealt with Salinger’s legal one-liner over the past half-decade of reprints and new editions.

A THIRD cause of common Errors is the Credulity of men, that is, an easie assent to what is obtruded, or a believing at first ear, what is delivered by others. This is a weakness in the understanding, without examination assenting unto things, which from their Natures and Causes do carry no perswasion; whereby men often swallow falsities for truths, dubiosities for certainties, feasibilities for possibilities, and things impossible as possibilities themselves. Which, though the weakness of the Intellect, and most discoverable in vulgar heads; yet hath it sometime fallen upon wiser brains, and great advancers of Truth. Thus many wise Athenians so far forgot their Philosophy, and the nature of humane production, that they descended unto belief, that the original of their Nation was from the Earth, and had no other beginning then the seminality and womb of their great Mother. Thus is it not without wonder, how those learned Arabicks so tamely delivered up their belief unto the absurdities of the Alcoran. How the noble Geber, Avicenna, and Almanzor, should rest satisfied in the nature and causes of Earthquakes, delivered from the doctrine of their Prophet; that is, from the motion of a great Bull, upon whose horns all earth is poised. How their faiths could decline so low, as to concede their generations in Heaven, to be made by the smell of a Citron, or that the felicity of their Paradise should consist in a Jubile of copulation, that is, a coition of one act prolonged unto fifty years. Thus is it almost beyond wonder, how the belief of reasonable creatures, should ever submit unto Idolatry: and the credulity of those men scarce credible (without presumption of a second Fall) who could believe a Deity in the work of their own hands. For although in that ancient and diffused adoration of Idols, unto the Priests and subtiler heads, the worship perhaps might be symbolical, and as those Images some way related unto their Deities; yet was the Idolatry direct and down-right in the people; whose credulity is illimitable, who may be made believe that any thing is God; and may be made believe there is no God at all.

Mamihlapinatapai

Mamihlapinatapai (a veces escrita incorrectamente como mamihlapi- natapei) es una palabra del idioma de los indios yámanas de Tierra del Fuego, listada en el Libro Guinness de los Récords como la "palabra más sucinta del mundo", y es considerada como uno de los términos más difíciles para traducir. Describe "una mirada entre dos personas, cada una de las cuales espera que la otra comience una acción que ambos desean pero que ninguno se anima a iniciar".

Islas

Islas
Islas
Islas donde jamás tomaremos tierra
Islas donde no bajaremos jamás
Islas cubiertas de vegetaciones
Islas agazapadas como jaguares
Islas mudas
Islas inmóviles
Islas inolvidables y sin nombre
Lanzo mis zapatos por la borda queriendo llegar hasta vosotras.

Ghoughphtheightteeau

Considérese lo que un doctor del siglo diecinueve afirmó que debería ser una escritura precisa, según las reglas básicas y aceptadas de la pronunciación inglesa: Ghoughphtheightteeau. ¿Qué significa esto? Potato. Gh se dice p, como en las últimas letras de hiccough: ough se pronuncia o, al igual que en dough; phth debe decirse t, como en phthisis; eigh es ei, como en neighbor; tte se dice t, como en gazette; finalmente, eau se pronuncia o, al igual que en beau.

If You Find This World Bad, You Should See Some of the Others

I can even tell you what caused me to remember. In late February 1974 I was given sodium pentothol for the extraction of impacted wisdom teeth. Later that day, back home again but still deeply under the influence of the sodium pentothol, I had a short, acute flash of recovered memory. In one instant I caught it all, but immediately rejected it -- rejected it, however, with the realization that what I had retrieved in the way of buried memories was authentic. Then, in mid-March, the corpus of memories, whole, intact, began to return. You are free to believe me or free to disbelieve, but please take my word on it that I am not joking; this is very serious, a matter of importance. I am sure that at the very least you will agree that for me even to claim this is in itself amazing. Often people claim to remember past lives; I claim to remember a different, very different, present life. I know of no one who has ever made that claim before, but I rather suspect that my experience is not unique; what perhaps is unique is the fact that I am willing to talk about it.